pong musiq has whipped up something special again, stands for the new generation of amazing barcelona producers, sistema (manuel ruiz), many years has been producing, dj and the owner of the label neue lõrmklassiker. while his live shows have won his fans around europe, for this second release, >lenceria barata< he eplores the techno dub territories! complexity and simplicity are addressed in equal measure here, easy to find traces of people like quantec, maurizio, intrusion, echospace but with the melodic charge that always manel introduce in his productions. it s hard not to get excited listening to this brilliant masterpiece. >ropa exterior<, a highly infectious mix of motor city strings, is built to move. clever tool track that will once again find its way into deep sounds, basslines, rhythms in constant movement that keep you dancing. heavy approach which will fit well across the board as its paranoid, edgy atmospheres and body shaking grooves dominate the floor.also in additional production we can find dosem! marc started performing as a live act under the name ædosemÆ. in a short time, his popularity grew strong amongst the spanish scene, he signed his first artist deal with high profile hong kong based label, sino, which previously revealed key figures of the electronic music scene, in the name of joris voorn and technasia. his remix is just a bomb to the dancefloor! >abanderado< , plus digital track for this release. idm and tech dub fusion perfectly to finish this amazing release of sistema.

amused records proudly presents the stereodudes debut single tonteria, a groovy house track with kinda crazy spanish vocals and a huge remix package! the stereodudes already showed their feeling for floor-fillers and powerful productions on their remixes of the 2008 nature one-anthem and recently for sonic vs. taste ts eightyeight, which entered the top10 and 20 of the german club- and dance charts (dcc, ddc)! now the boys do their first strike and bring really big features from almost every kind of house music from minimal to progressive with the remixers: monomotion & yoann feynman (pinkstar records/sirup records), kevin over (fortek/piemont records), taste t. vs. steffen baumann (amused records/session deluxe/lucent) played by: robert m (loco ltd, pacha), gorge (8bit, systematic), falko richtberg (big fm, tronic love), greg silver (sunshine live house edition)

together through life is bob dylans upcoming 33rd studio album (around his 60th album if you count official live albums and compilations). dylan produced the record under the pseudonym of jack frost, which he used for his previous two studio albums, love and theft and modern times. dylan revealed that the new record was heavily influenced by the sound of chess records and sun records. in an interview on his website bobdylan.com, the 67 year old singer compares the sounds of together through life, to the 1950s sounds of blues singers willie dixon and howlin wolf. dylan has a tough record to follow after his 2006 release modern times won two grammys and became his first number one record in the u.s. since 1976.

‘aus music ... all night long’ as a title is not just a play on the timeless house music all night long phrase, it also expresses the musical diversity of the label. from the live dub of sideshow through to the layered, undulating techno of sian via the heartwarming, richly textured grooves of lee jones our aim has always been that you can play aus music from dusk till dawn ... all night long.

dickie is no longer prepared to stand idly by watching the current team failing to live up to the high standard set by the great den haag team of 75, how he longs for the anthem that is fc den haag to be on every city radio station celebrating the feats of the current team. sadly though todayÆs team does not live up to dickieÆs expectations, so much so in fact that dickie brings us the anthem to try and induce self belief in the team, æfc den haag, we are the bestÆ, so upset is dickie that heÆs considering coming out of retirement and offering his services to the team. following the anthemic opener, morwyck blues resonates with the sadness that dickie feels on matters close to his heart, while the hague jam is the perfect track for driving from den haag to scheveningen (or anywhere) at 3am. full of his trade mark 808 beats, vocoded vocals and searing melodies, dickie has produced tracks suitable to be played loudly on the cassette player of every bmw as it cruises around the city streets at night, searching for young souls to be evangelised to the ways of the 808 beat.

like any group enthralled by the history of electronic pop, the fascination movement love remixes. on the heels of their 0.5 ep, and to keep you busy while they put the finishing touches on their debut album, they give you remix vol 1. starcluster twists “radio” into burbling new dancefloor shapes with a tinge of 90s proto-house including 808 drums and roland baselines, alba (a new project with roland sebastian faber and michael black of unit 4/jupiter black) reworks “down again” into something sweeping and nocturnal, adding rock flavored live drums and a new shimmering melody on top. elitechnique stunningly suspends “just pretend” in space with spinning organs, transforming it from a propulsive pop song into something wholly different. in the days of dime a dozen remixes that consist of nothing more than retro-fitting tracks with a 4/4 beat, these beauties show off the originals in new and surprising ways.

brand new updated versions of the unreleased monster that is >its the weekend< it originally appeared on krafty kuts fabric live comp, and was hammered by stanton warriors, si begg and nick thayer amongst others. now given a new lease of life with new mixes and featuring hip-house legend fast eddie. 5/5 review in mixmag breaks section & record of the month mixmag confirmed >heavy rotation< feature in idj , dj support: rex the dog: analog people in a digital world: hexadecimal: mike mckenna (discoscience): flash brothers: greg churchill

one of the sought after cuts from his recent artist album, >always< is the second release from rasmus fabers farplane label. remixes come from 2 big names, japanese dons of the house scene studio apartment make their label debut, bringing their coveted tech edged tools to the party and turning the track into a real punchy number. veterans of the new york deep house scene, ananada project also make their farplane debut, adding a rich live bass & upbeat percussive element to perfectly compliment the sultry uplifting vocals..!

london s idjut boys (dan tyler & conrad mcconnell) and rune lindbaek of oslo are meanderthals. as longtime friends and fans of each other’s music they have discussed the idea of working together in a musical context for years and in 2008, they finally began to make those ideas a reality. throughout the year they traveled back and forth between oslo and london to create their debut album, desire lines. the album is due the 11th of may. but before that, this 12&#8243,,, taster of the andromeda (album track) as well as a idjut boys remix) a meanderthal is a theory by matthew tiessen about a human that is always in the way of others. whether it be the person on the wrong side of the escalator, the person walking slowly, the person bicycling on the pavement, it is essentially the person that stops the flow of urban daily life. on the contrary, lindbaek, tyler and mcconnell s definition does not see this person as a threat, but as a person that is completely in his own world – a slacker, musically on his own. this could also be a good description of lindbaek and the two idjut boys. meanderthals serves mellow balearic disco. a warm and dreamy blend of dub, folk, prog, kraut, psychedelia and 70s west-coast combined to invent an organic, slanted, and proggy feel. recorded live, the album features contributions from good friends, including pete z (dj harvey) on keyboards, des morgan (yamwho?) on drums and percussion, malcolm jospeh (grace jones) on bass, per martinsen (aka mental overdrive) on percussion and raj gupta (laj & quakerman) as sound engineer

carl craigs creation of angel found its way onto the second installment of darkness, released 2005. observers of carls music declares this era to have been the strongest material since earlier tempered psyche / bfc classics. now reborn by the crafting hands of jerome sydenham and detroit native keith kemp, we enthusiastically introduceà guilty pleasures debut release, carl craig - angel remixes --- jerome sydenham: born and raised in ibadan, nigeria to an english father and jamaican mother, he was schooled in his teens in england before migrating to new york city in the early 80s. sydenhams work today is largely influenced by the cultural diversity of his upbringing and has echoes of a musical history that spans indigenous african and contemporary western music. during the mid 80s he became involved in the underground dance music scene both as a dj and a promoter. in 1986 he threw a successful weekly party in philadelphia and by 1987 he had a residency at the legendary nells in nyc. --- keith kemp: keith kemp has been a dj in and around the detroit area for the last 10 years, primarily focused on fusing fragmented bits of the detroit techno blueprint all over the dance floor. through various residencies, dj sets, and live performances, he has been on a constant personal journey within electronic music ranging from performing at the detroit electronic music festival to movie scores and sound design. since 2001, keith has found himself involved with the operations of the ferrispark record label as well as several releases on various detroit labels reaching all corners of the world. as a life-long connoisseur of music, his dj sets can range from glitch funk, industrial, hip-hop and jungle

nice price deal !!! fenech-soler produce perfectly distilled post-millennial dancefloor pop. the a-side cut showcases the bands ear for an irresistible melody carried with thick synth sounds, ricochet guitars and economic beats. a chart and dancefloor hit-in-waiting, with its b-side airbrushed an undoubted late night menace of drilled dystopian tech-pop. fenech-soler deliver a deftly accomplished production that confounds their bedroom studio origins. their dexterous writing and musicianship resonates with the fine suburban pop of pet shop boys, the sparkling live capabilities of phoenix and friendly fires, and the dancefloor igniting electro breakdowns of vitalic, justice or the presets

stevie kotey & max essa first salon de l herbe ep was released via electric minds in may 2008 providing a twisted journey of dub, disco and electronica and given the thumbs up world-wide by todays elite producers & djs . the standard continues with the 2nd ep, which sticks to the same theme in providing three deep and underground cuts. the live drums, guitars and slick arrangement provide a musical journey that sounds immense when piped through any decent club system. >1986< will provide a great vibe for any club while >1978 it felt great< & >guitars< balearic feel will be perfect for this summer. all in all three amazing tracks

6 track mini-album - each track can function as a hedonists anthem in its own right, optimised for maximum dancefloor impact after evolving gradually in the context of fakes intense live club set.

the (lithuanian hardstyle) machine is back after his debut release on tremble which took the hardstyle scene by storm! electronic diversity is full of squared kicks and again serves a tasty synth pattern combined with cool edits that will cause devastation to all feet even on international dance floors! pendulum builds up slowly with bouncy kicks to an impressive distorted climax. the machine himself is slowly but surely building up a reputation to live up to. find out why!all together tremble tracks drops another anthem in the making, do not miss it!dj support: luna, pavo, the machine, darkraver, sam punk, binum, dj ghost, dj kutski (bbc radio one), q ic, warmduscher, symastic and many more!

are you drowning in a sea of organs, flutes, and spanish chants on top of 90s house loops? we have the cure for you here at mothership. >just a spoonfulö is the lead single from voodeuxs new full length album called >the paranormal.< the track can best be described as techno you would play at a submarine pajama party. its playful, groovy and somewhat reminiscent of early steve bug. on the flip, >deadened motel< is a rare mix of congo vibey house beats with searing techno leads that shoot up out of the track in the 2nd half. it has been getting mucho love from radioslave, ryan elliot, and konrad black which should give you a clue as to the quality of this material. look for the full voodeux album to drop early june. and dont miss their worldwide live debut in detroit on friday, may 22!>just a spoonful< is also featured on claude vonstrokes new fabric 46 mix compilation out this may.

>aus music…all night long< as a title is not just a play on the timeless house music all night long phrase, it also expresses the musical diversity of the label. from the live dub of sideshow through to the layered, undulating techno of sian via the heartwarming, richly textured grooves of lee jones our aim has always been that you can play aus music from dusk till dawn… all night long

dojo is about getting back to the roots of american techno and house, and getting away from the computer. we want to help bring back the spontaneity and freedom of live performance and recordings. we want to celebrate the raw physicality of the music, and the dj who still likes to mix. ross since, 1997, ross has been in the background of the westcoast canadian techno scene, particularly the victoria family that included mathew jonson, cobblestone jazz, the mole, and hrdvsion. in 1998, he released the now out-of-print compilation album ôgarden city dubs, that featured first material by mathew jonson, and cobblestone jazz. he left for california in æ98, but kept his finger on the pulse as the art director for itiswhatitis recordings. while in the bay area, he listened mostly to soul,rap and early american techno music. heavily influenced by his time spent in the u.s., he started to develop a musical aesthetic, which he is now ready to express. young florent florent moved to vancouver from switzerland to attend art school. he began to get into making techno. tapping into his french-martinique roots, florent quickly developed a unique sound, which caught rossÆs ear. a few live jams later, it was clear that they worked well together, so they got a studio space and got to work. one month later, dojo had its first release. florent has only been making music for a year, but his swiss work-ethic is dangerous

after being influenced by mix-tapes of artists such as richie hawtin, dustin began writing music purely for fun. shortly after, dustin met future-partner ian lehman, who was established in the mid-west rave scene. ian explained to him that music similar to his was played at parties called raves. ian invited him to one of his shows and dustin took his offer to see what he was talking about. after being exposed to just one party, dustin knew this was his future. dustin started doing a live pa at various local parties and quickly became a favorite. after a year, dustin stepped up to the decks and won just as much respect as he did with his productions. in early 2001, dustin and ian both agreed to take things to the next level. they put a halt on bookings and concentrated on the studio. a year later their work had emerged onto vinyl and all over the internet, creating a serious buzz. abiotic was born, and the duo formed the attack people. a few words can easily describe dustin zahnÆs style: moody, tribal, dark, and hypnotic. since dustin co-founded abiotic recordings with ian lehman in 2001, heÆs finished projects for labels such as livewire records (detroit), analytic trail (italy) and invasion (belgium). his tracks have been received support from techno producers such as redhead, adam beyer, danilo vigorito, tim xavier, ben sims, chris liebing, dave clarke, umek

brust oder keule, herr oberförster: bei tisch sind die vorlieben ebenso verschieden wie auf der tanzfläche. und so servieren uns die herren dreher & smart auf der neusten 3000° scheibe zwei erstklassige filetstücke zeitgenössischer elektronischer tanzmusik, die gleichzeitig ein erster vorgeschmack auf ihr anstehendes live album wandertag sind. der titeltrack nimmt die ursprüngliche idee von minimal auf und kommt so sehr schlank daher: mit nur recht wenigen sounds baut er beachtlichen druck auf. funkwerkstatt interpretieren das original auf der b-seite ebenfalls sehr reduziert, durch den einsatz von gezielten klicker sounds und dezent platzierten stimmeinlagen schaffen sie eine entspannte und doch anregende atmosphäre. daneben liefert man eine weitere abwechslung: auf einem unglaublich drückenden bassbett zielt ein ausladendes arrangement von verschachtelten percussions, trippigen soundeffekten und fluffigen melodien auf den dem feiernden menschen innewohnenden tanztrieb

mr negro returns with the sunburst band for a superb e.p of remixes. æour lives are shaped is in the capable hands of mr grant nelson who keeps the original vibe alive adding his own chunky beats and flavour. æfree bass is a wicked slice of space funk. æwe can live forever is beautifully reworked by purple musics very own simon grey who provides 2 mixes the first being skillfully edited by joey himself and the dub taking the deep funky electronic route works so well. dj support seamus haji / danny krivit / dj meme / groove armada to name a few

beatdisaster records continues its successful way of presenting technoid clubhammers, with a release of the two most familiar artists of the label, which have made awesome tunes right from the start: eric sneo (ciao bella) and tube-tech (the end). eric sneos >tanz der familie< original version was already a big clubhit in 2003, based on the successful party series at the legandary german techno club palazzo. for the restart of this series, eric made a fantastic remix featuring accordion sequenzes on a groovy beat, which he filled up with live played solos at the >tanz der familie< party in 2009 with amazing response from the crowd.the first techno band tube-tech presents their interpretation of the cult hit >painted black<. with original sung vocals of their front man alex denton and also live played guitar, this version (remixed by eric sneo) has an enormous power and forward energy, flavoured with some great percussions and also has already successfully presented on numerous live gigs of the band.two amazing tracks, that will definately bring the beatdisaster sound back to the clubs!

villa nah makes pure electronic pop with plenty of emphasis on catchy melodies and meticulously crafted soundscapes reminiscent of the 1980s. stylewise, villa nah is related to 80s bands like heaven 17 or new order, but that is only the tip of the iceberg. once you ve heard their debut single, you ll know that villa nah is about nothing else but their own style and sound. the single opener ways to be is built around a synth bassline, handclaps and the kind of irresistible melody that you cant shake out of your head once you ve heard it. envelope is a tad more dark with an uplifting synth melody serving as a hook. daytime, in contrast to its title, evokes a strong sense of night time. villa nahs vocalist juho paalosmaa is a very charismatic performer, whose great sense of stage drama brings to mind a young glenn gregory or philip oakey. indeed, villa nah is not merely a production duo but an actual band with a live show that is not to be missed.

new trance label by dj nagual!!

support by: tim xavier, lemos, magda, raresh, laurent garnier, anthony collins, mossa, franco cinelli, someone else, technasia, pheek, tim green, solomun. hoerste is resident dj at one of the most established clubs in germany, the legendary muna club. after years of searching & collecting impressions , now its time for his debut ep release in collaboration with mathias kaden, norman weber and paul g., whose saxophone part will trigger a constant live spirit. so are you preparedto ride the white horse?

the young and the wild one is back, after releasing sucessfull eps

after 9 successful years and 36 releases on their label >festplatten<, the teichmann brothers are already unleashing their third release, transistor vamp, on their new artist label teichtracks. true to the motto of the tt-series this offspring of analogue machinery is also designated for the dancefloor. the title track is a 12 minute trip, an unstoppable modulating organism from the deepest depths that subtly and powerfully creeps forth. you smell the greasy oil of detroit, you inhale the dusty air of berlin and when you open your eyes, the next day has already begunà here, the past is just as present as the present. deja-vu? or did transistor vamp already infect you during one of the brothers many live sets? those who turn the record over will find, alongside a condensed 7 minute edit of the title track, another independent micro organism. micro is a game of rhythm and bass, reduced to the very essence of groove. a poker face of a track whose accumulative tension spans 6 minutes. like a balloon filled to bursting it knows how to stretch its limits and, without badding an eyelid, it waits for the explosion. minimal? of course! but here you can still hear the groan of the mixer and effects!

nice price deal !!! hailing from melboune, australia, clubfeet are a three piece live band and production team whose vocal driven pop electronica has astounded listeners. their album gold on gold has drawn comparisons to hot chip, teenagers and junior boys but their comic lyrics and tear duct springing melodies bring much more than that. plant music is proud to present the first single from the album with remixes by electro synth wonder boy kap10kurt (of dangerseekers fame), ny/berlin indie dancers the glass and new york producer/remixer and blog hero eli escobar.

legendary disco don demis roussos comes back with a killer new album... and its a 1000% winner for sure, as the man raise to the chalenge in style. blues and soul tainted, with a voice to die for... heres the first extract in an amazing limited edition package 12inch in 2 parts. here is the first one including new york re edit unchallenged king danny krivits rework on the track.... taking it to a more live sounding, dancefloor friendly 60s soul... guaranteed track of this summer for sure around the world.... dont miss out.

we once again welcome back diskjokke to the motherpupp after a succesful run of releases on smalltown supersound and kindisch. 2008 was a hectic year for joachim, putting together his live band, doing remixes for metronomy, foals and lykke li to name a few and spreading melodic, trance-inducing feelgood disko gospel around the world. asa nisi masa has been causing much mayhem the last 12 months even causing girls to offer me services i wont mention here...wibbly wobbly arpeggios massaging your buttocks...very very rude indeed as already showcased on the full pupp/greatest tits compilation, >cearadactylus< is definitely a different kind of beast. slow and chugging along at a tempo even fit for dinosaurs

luke hess creates deep detroit techno with a focus on soul and experimentation over prevalence and trends. his album, >light in the dark< on echocord further explores deep detroit dance music through field recordings, live percussion sessions, analog experimentation, and dark cavernous melodies

although jaxson and keno both have successful solo projects and have previously worked together before, this collaboration is bound to be their most notable release yet. a fusion of house, funk, latin and techno, all meet at the crossroads of their studios for a 4 track ep of sundry beats and fresh flavors. clearly the a-side, >tout le temps< is comprised of a clever hook and a hazy latino vocal sample, which carries the initial groove right into an originally played synth section. a good example of a refreshing approach to adding effects and using sounds. >tarantella< as the title might suggest, one might expect a track that would scare the living day lights out of you, but it has more of a >creeping up from behind you< sort of vibe. a subtlety creeping groove subliminally enters your unconscious mind carrying a secret message. what is that message you ask? dance! the congas on, >red baron< sound so live you can almost here the players licking their fingers. congas might be the groove in the heart of this tune, but the melody of the slick synth stabs and rising strings are what ultimately breath energy and spunk into this roller. >karate kid< initially has a minimal feel, but once the hacked up guitar and vocals come in, you can put those dirty thoughts to rest. abundant with an overwhelming amount of unique and interesting sounds, secure this tunes ability to prick up the ears of finicky djs and clubbers alike. it is rare to find such a wide variation of sound design on your run of the mill ep, but kindisch has proved they are not an ordinary label. they are consistently releasing quality tunes and always providing pleasant surprises. some might say it is a clichÚ, but this ep really does have a bit of something that will drive one club or another nuts

the enclave of both established artists and fresh undiscovered talent whose shared passion of deep underground detroit influenced house and disco are reflected in the quality output you will come to expect from the label. franc spangler, the revenge, zepp001, john daly, alpha child, 6th borough project, tuccifunk and pezzner are just some of the producers creating their work with tender loving care for delusions. dog01 will be setting the standard with the soul part ii from craig smith & the revenge. these boys are currently riding a wave of successful releases, mainly in the form of their disco and boogie edits under their 6th borough project guise on instruments of rapture. here we see them move into original production territory with a bass heavy slice of brooding and grooving floor friendly house but with their own unique twist. tempos are kept low, drums are kept live sounding and the subtle italo synth lines all ensure this track keeps true to their roots in disco. for their 6th borough project dub they dive head first into a slowly building, drum and percussion heavy workout which has a beautiful tension to it. this is music for small basements with big sound systems. finally we have john dalys beautiful interpretation where he opts for a blissed out, understated and hypnotic sound that wraps you up in layers of warm, echoing synths whilst the groove chugs along masterfully. a true mood setter or after hours classic

played by : ricardo, luciano, reboot, sascha dive, italoboys, melon.... friends meeting up to make, live and release the music they love... the following artists have contributed tracks to la peña so far : christian burkhardt & einzelkind meat & einzelkind, sascha dive, dorian paic & einzelkind, reboot, marquese, einzelkind, sercan, kia, fimo

behind this german-sounding pseudonym hides a lyrical, subtle and ambitious techno. mondkopf reveals on this ep his most federative facet with a tracklist in which immediacy never sacrifices imagination. this combination of a techno basis, trancy hooks and electronica sound processing make these nuits sauvages (wild nights) ambivalent, conquering and melancholy. la dame en bleu, his major piece, is already an underground hymn. les oiseaux de balthazar, mixes vocal pads, bells and birdcalls in a fantasy techno universe on a dynamic tempo. the result, once again, sounds absolutely unique. nuit sauvage softens the layers to emphasis on crunchy riffs and strong kicks, to finally come back to an epic dimension, always around in mondkopfs songs. remix side, matzak got hold of the very mental christmas, keeping its electro spirit.

cynosure flag ship artist and label navigator mike shannon reaches into his archives and selects the much-anticipated “the box ep.” “the box is open” was always a highlight of many of mr.shannon’s dj sessions and live acts. this cut delivers nostalgic, old school of detroit, soulful, techno jack. a ton to digest there but there really is no other way to sum it up. adam marshall graces the ep with a stormer of a remix. taking things a step further, adam really explores a different use of the chords given to you in the original. a smooth kicking set of drums and ever elevating sequences of synth keep you on your toes never really knowing exactly when things will drop. definitely a production trait that adam is best known for and it never fails on the floor. howie mangel

kyle hall graces us with another jazzy off kilter ear catching release, except this time hes not alone. kyle and four other young midwest musicians come together as bsmnt city anymle kontrol for the title track the perfekt sin, a real soul hitter. one of them is dorian fiddler son of heavy weight detroit producer amp fiddler, letting loose on live drums at age 17. love kontrol is an emotion steering eccentric groover thats sure to excite the senses with its elegant uplifting melodies. oatn out is a rhythm challenging avant garde dusty retarded joint that is a must listen to for the people who enjoy breaking the tempo and arent afraid to throw your average 4 on floor pocket out the window.

we re not sure if theres been a whole lot of russian vocal led synthy disco around of late / ever, but we definitely like the idea of it. and so we have the first release on the brand new tirk affiliated label nang. d pulses sound is a sonic cocktail that represents the different flavours of its ingredients. great for dancing, as well as regular home listening, making love or preferably cooking. you can call it russian house, full of spirit, soul and its own philosophy. now on to the tunes. the foto mix of more combines cold robo synth bass and stripped back rhythms with the haunting tale of love, loss and the ultimate fulitility of existence (probably). the original mix lives up to the live jam side to the d pulse manifesto with organic funk and jazzy chops leading the way. fellow russian alcos coolkas carries on where his new work on tirk left off, with simple but sparkling and sophisticated electronics working away with snippets of the vocal to mesmerising effect. the package rounds off with the spacey, warm, instrumental highway to saturn. nang has launched!

here comes the 14th release from stalwart. if its right sees parisian dj, producer and radio presenter leo cuenca delivering a soulful slice of house music that features the gorgeous lyrics and vocals of up and coming australian diva rachel claudio in one of her best studio performance to date. live organic musical elements add the right ingredients to this warm and relevant song. remixes come from nonetheless than prolific superstar brasilian producer dj meme that gives a more hypnotic version of the tune, while stalwarts very own dj rork comes up with a more driving and clubby affair.

after his amazing remix of leo anibaldis smashing hit (attack random) produced on cannibald first release. pierguidi is ready to be out whit his solo ep , and demostrate what he can do by himself , and the result is cannibalds third release whit three massive techno tracks whitout any compromised.

donnacha costello returns with another release for his new label and platform, look long. the tragedy of the commons sees him continuing his mission to create work of lasting quality and beauty. gatsby has that most rare and ephemeral quality, that certain something not easily defined. work which is at once both raw and full of subtlety. something which is at once both instantly familiar and yet inescapably new. fathoms deep pulls the listener in with each rotation until we are so thoroughly hypnotised we cannot but surrender to its insistent, organic pulse. baritoneÆs melancholy lo-fi guitars and roland 606 drums wrap around us like a warm blanket on a cold night. a private oasis, a moment of comfort in a lonely city before the body gives in to sleep. this is no throwaway music. this is music to keep, to live with, to grow with. this is music in which comfort can be sought and solace found

aspekt strikes back with their actually release. the new great 4 track ep by marcio kantana includes the tracks funky sax, rock and sound and fashion touch, contrast itself with a great and special minimal sound. the guys of aspekt makes oneself conspicuous individually and want to go one better with their next record. as one of the most popular live acts in berlin marcio kantana has found his own style for himself that is extravagant and still afloat melodically. no wonder that the new aspekt release is not matchable with one of the previous records once again. moreover its worth it to hear a great remix from microtune & takter.

berlins tech house supremo, oliver koletzki lends his talents once again to the hell yeah stable with massive double a side single, >yes we can< & >nascita of the monsters<. both tracks feature olivers deep, infectious formula and never fail to stir up a frenzy from the caverns of fabric to the led lights of watergate in berlin. already a cult figurehead in his native berlin, oliver brings his brand of quality techno across borders, with an enviable list of live dates around europe and a slew of sought after releases on various labels like great stuff, trapez, stil vor talent, flash and hell yeah. after the critical acclaim of his last release on hell yeah, >music from the heart<, east berlins perennial bad boy teams up with roland clark of defected fame, who has worked with our very own fat boy slim and chemical brothers, for a unique emotive off-beat introductory track

now this is some seriously nasty shiznit from surgeon. recorded live at club fabrikken on oslo, this twelve contains beefed up and refixed versions of the well loved surgeon classics >screw the roses<, >body request<, >october request< and >bad hands break<. the 4 tracks were taken from an audio/visual set surgeon did at the aforementioned club and perfectly capture the uncompromising intensity of his laptop dj sets.

after being charted throughout the past few months with his label s previous release >slower lov<, cesare vs disorder continues to deliver the goods on his >mean< imprint with a divine release from long-term friend and musician ollie silva aka canary fontaine. here we are again with some obscure yet funky, driving and danceable material, the recognisable trademark sound that mean has been carving for the past two years. there s a certain latin vibe throughout the whole ep that shows ollie s chilean background, especially when he adds his live musical skills with congas, toms, guitars, basses, voices, anything he can get his hands on! the productions on this release are delicate and refined, with >clothes horses< being a deep rhythmic and harmonious jazz adventure, while >arizona creeping< and >cindy says so (feat. eddie smith aka zippy)< result in some very solid minimalist bouncy techno, two powerful alternatives that simply roll many danceable and percussive elements into one package, perfect for dark rooms during journey times. cesare vs disorders noctambular version of >cindy says so< will be on the vinyl release to add some spice to the dancefloor in his usual psichadelic rockin way.

from the hot bed of music over in san francisco rong music are highly regarded as the best in all things deep house & discotastic - with an incredbily strong catalogue already in their arsenal, their debut release back in the uk boasts an essential rework from the one and only greg wilson! its sublime space disco for todays dancefloor, and the perfect way to announce their new home this side of the atlantic

the new hamburg and munich based label dérive schallplatten comes up with a diversivied three-tracker of benjamin brunn, achim maerz and christopher rau from hamburg.

stricly limited and and vinyl only ! bad sneakers is the monniker of a highlander who enjoys taking inspiration from movies. both tracks are re-animations of queens soundtrack album a kind of magic.

played by popof, tomcraft, paco osuna, someone else, joseph capriati, sébastien léger,….. more than one year after the first release, its time to celebrate the 10th. release of platform b. labelboss tobias lützenkirchen selected 4 more tracks for this ep which he roadtested during his live sets with great results. again this release is a perfect example for the general label philosophy: to be a platform for lützenkirchen and his friends from munich/bavaria/germany. so enjoy this release by lützenkirchen and his mates joseph disco & tonio barrientos

dass tracks aus dem hause reboot in der vergangenen cocoon-saison eine herausragende rolle spielten, dürfte niemandem verborgen geblieben sein, schließlich konnte sich der 30jährige frankfurter produzent frank heinrich bereits zusammen mit johnny d. im rahmen des >disco invaders<-cocoon ibiza summer mix in einer art live-jam-session austoben. umso verblüffender, dass erst jetzt nach releases auf below und cadenza endlich die erste reboot-12 inch auf cocoon erscheint. >ronson< macht mit seinem tribalistischen einschlag schnell klar, wohin die reise geht, mit alarmsirenen und druckluftausstoß zeigt sich heinrich hier so kompromisslos energetisch wie nie und bleibt dabei maximal pumpend, aber immer sexy. etwas abwartender strukturiert, gönnt das polyrhythmisch perkussive >mirasierra< dann den erschöpften tänzerinnen und tänzern eine kleine atempause, auch wenn die kräftig dub-verzierte bassline dabei ganz schön diskoide glücksmomente setzt. für die gefühlten tropischen momente im jetzigen frühjahr sind jedenfalls beide tracks bestens geeignet!!